Solo Instrumental
Piano Sonata – “Chiasm” (2020)
Children’s Pieces for Piano (2020)
..for Soprano Saxophone (2020)
Molto Adagio (2019) – Version for Piano or Organ
Concert Etude for Violin Solo (2019)
Fragment for Solo Violin (2017) – alternative version for Viola
Ephemeral Grace (2015) – Clarinet (Recording: 1 2)
Little Piano Suite (2014)
*solo pieces with electronics are listed under Electronic/Electroacoustic
Chamber
Diptych (2023) – Saxophone, Electric Guitar, Percussion, Piano
Propagation (2022) – Clarinet and Saxophone
Miniatures for String Quartet (2021) ix x
Andante Scherzoso (2020) – Flute, Clarinet, Violin
Three Distortion Etudes (2019) – Clarinet, Saxophone, Piano, Percussion, Cello
for 4-7 Musicians (2018)
Percussion Quartet (2017)
Three Etudes (2016) – Clarinet, Horn, Viola, and Piano
“La lutte elle-même…” (2016) – Pierrot Ensemble and Percussion
Movement for Piano Quintet (2016)
A Nebulous Embrace (2015) – String Quartet
**chamber music with voice is listed under Vocal
Ensemble
Catechumen (2019) – Flute, Oboe, Clarinet, Bassoon, Trumpet, Trombone, Percussion, Two Violins, Viola, Cello, Bass
Nearside (2018) – Oboe, Clarinet, Bass Clarinet, Alto Saxophone, Tenor Saxophone, Harp, Piano (MIDI)
Neume (2017) – Flute, Clarinet, Saxophone, Trombone, Percussion, Harp, Two Violins, Viola, Cello, Double Bass
Aria in C (2016) – 11 Strings: 3.3.2.2.1
Piece for 10 Basses (from Electronic Piece No.1) (2016)
Empty Rifts of Tranquil Thoughts (2015) – Clarinet, Trombone, Percussion, and String Quartet
Orchestral
Estrangements (2016) – Chamber Orchestra: 2.2.1.2. 3.2.2.0. 2 Perc. Hp. Strings (min: 5.4.4.2.1, max: 8.6.6.4.3.)
Vocal
Response (2022) – Solo Voice
On a Mountain, after Frank O’Hara (2018) – Middle Voice and Pierrot Ensemble
Sappho Fragments, Book I (2017) – Soprano and Trout Quintet
Eternity, after Frank Lima (2017) – Mezzo Soprano and Electronics
Alone, after James Joyce (2017) – Middle Voice and Piano
Two Short Songs and an Intermezzo (2014) – Tenor and Piano
Choral
Chorale on The Little Brown Bulls (2018) – SATB
Electronic/Electroacoustic
hinter (2022) – Solo Double Bass and Fixed Media
air losS (2022) – Improvisor and Electronics
Music for Three Objects (and their electronic replicas) (2018)
madrigal for musicians and laptop (2018)
Deconstruction on La lutte elle-même… Region V (2017) – 3-6 musicians and Electronics
Electronic Piece No. 4 (2017)
Piece for 10 Channels (or Electronic Piece No. 1) (2016)
Essays and Other Writings
“…memory is not one but many:” Depth and Repetition in Part III of Hans Abrahamsen’s Let Me Tell You (2022)
Temporalized Space: Groundwork for a Phenomenological Theory of Musical Meter (2021)
Asylum for the Heimatlose: A Critical Inquiry into Gustav Mahler’s Fifth Symphony (2020)
Bergs Arme Leut: Eine Analyse musikalischer Identitäten und Nichtidentitäten in Wozzeck (2020) [Deutsch]
(Eine andere) Musik als existentielle Erfahrung: Time and Silence in Jürg Frey’s More or Less Normal (2019)
Revolutionary Texts, Revolutionary Textures: Lachenmann’s Scenario (1965) as Manifestation of a Marxist Dialectic (2019)
Adding Another Classmate to the Viennese School: A Brief Examination of the Life and Work of Marianna Martines (2018)
On the Threshold of Perception: Fuzzy Periodicity in the Berceuse of Grisey’s Quatre Chants pour franchir le seuil (2017)