Solo Instrumental

Little Piano Suite (2014)

Ephemeral Grace (2015) – Clarinet (Recording: 1 2)

Fragment for Solo Violin (2017) – alternative version for Viola

Concert Etude for Violin Solo (2019)

Molto Adagio (2019) – Version for Piano or Organ

..for Soprano Saxophone (2020)

Children’s Pieces for Piano (2020)

Piano Sonata – “Chiasm” (2020)


A Nebulous Embrace (2015) – String Quartet

Movement for Piano Quintet (2016)

“La lutte elle-même…” (2016) – Pierrot Ensemble and Percussion

Three Etudes (2016) – Clarinet, Horn, Viola, and Piano

Percussion Quartet (2017)

for 4-7 Musicians (2018)

Three Distortion Etudes (2019) – Clarinet, Saxophone, Piano, Percussion, Cello

Andante Scherzoso (2020) – Flute, Clarinet, Violin

*chamber music with voice is listed under Vocal


Empty Rifts of Tranquil Thoughts (2015) – Clarinet, Trombone, Percussion, and String Quartet

Piece for 10 Basses (from Electronic Piece No.1) (2016)

Aria in C (2016) – 11 Strings:

Neume (2017) – Flute, Clarinet, Saxophone, Trombone, Percussion, Harp, Two Violins, Viola, Cello, Double Bass

Nearside (2018) – Oboe, Clarinet, Bass Clarinet, Alto Saxophone, Tenor Saxophone, Harp, Piano (MIDI)

Catechumen (2019) – Flute, Oboe, Clarinet, Bassoon, Trumpet, Trombone, Percussion, Two Violins, Viola, Cello, Bass


Estrangements (2016) – Chamber Orchestra: 2 Perc. Hp. Strings (min:, max:


Two Short Songs and an Intermezzo (2014) – Tenor and Piano

Alone, after James Joyce (2017) – Middle Voice and Piano

Eternity, after Frank Lima (2017) – Mezzo Soprano and Electronics

Sappho Fragments, Book I (2017) – Soprano and Trout Quintet

On a Mountain, after Frank O’Hara (2018) – Middle Voice and Pierrot Ensemble


Chorale on The Little Brown Bulls (2018) – SATB


Piece for 10 Channels (or Electronic Piece No. 1) (2016)

Electronic Piece No. 4 (2017)

Deconstruction on La lutte elle-même… Region V (2017) – 3-6 musicians and Electronics

madrigal for musicians and laptop (2018)

Music for Three Objects (and their electronic replicas) (2018)

Essays and Other Writings

On the Threshold of Perception: Fuzzy Periodicity in the Berceuse of Grisey’s Quatre Chants pour franchir le seuil (2017)

Adding Another Classmate to the Viennese School: A Brief Examination of the Life and Work of Marianna Martines (2018)

Revolutionary Texts, Revolutionary Textures: Lachenmann’s Scenario (1965) as Manifestation of a Marxist Dialectic (2019)

(Eine andere) Musik als existentielle Erfahrung: Time and Silence in Jürg Frey’s More or Less Normal (2019)

Bergs Arme Leut: Eine Analyse musikalischer Identitäten und Nichtidentitäten in Wozzeck (2020) [Deutsch] 

Asylum for the Heimatlose: A Critical Inquiry into Gustav Mahler’s Fifth Symphony (2020)