Music

Solo Instrumental

Immeasurable Night (2025) – Chromatic Button Accordion

Berceuse for Guitar (2025)

Five Adages for Violin (2024)

Novelette for Piano (2024)

Piano Sonata – “Chiasm” (2020)

Children’s Pieces for Piano (2020)

..for Soprano Saxophone (2020)

Molto Adagio (2019) – Version for Piano or Organ

Concert Etude for Violin Solo (2019)

Fragment for Solo Violin (2017) – alternative version for Viola

Ephemeral Grace (2015) – Clarinet (Recording: 1 2)

Little Piano Suite (2014)

*solo pieces with electronics are listed under Electronic/Electroacoustic


Chamber

Schism (2024) – Saxophone Quartet (SATB)

Farside (2023) – Clarinet and Saxophone

Diptych (2023) – Saxophone, Electric Guitar, Percussion, Piano

Propagation (2022) – Clarinet and Saxophone

Miniatures for String Quartet (2021)

Andante Scherzoso (2020) – Flute, Clarinet, Violin

Three Distortion Etudes (2019) – Clarinet, Saxophone, Piano, Percussion, Cello

for 4-7 Musicians (2018)

Percussion Quartet (2017)

Three Etudes (2016) – Clarinet, Horn, Viola, and Piano

“La lutte elle-même…” (2016) – Pierrot Ensemble and Percussion

Movement for Piano Quintet (2016)

A Nebulous Embrace (2015) – String Quartet

**chamber music with voice is listed under Vocal


Ensemble

Ouverture – Widerklang (2024) – Oboe, Bassoon, Horn, Percussion, Two Violins, Viola, Cello, Bass

Catechumen (2019) – Flute, Oboe, Clarinet, Bassoon, Trumpet, Trombone, Percussion, Two Violins, Viola, Cello, Bass

Nearside (2018) – Oboe, Clarinet, Bass Clarinet, Alto Saxophone, Tenor Saxophone, Harp, Piano (MIDI)

Neume (2017) – Flute, Clarinet, Saxophone, Trombone, Percussion, Harp, Two Violins, Viola, Cello, Double Bass

Aria in C (2016) – 11 Strings: 3.3.2.2.1

Piece for 10 Basses (from Electronic Piece No.1) (2016)

Empty Rifts of Tranquil Thoughts (2015) – Clarinet, Trombone, Percussion, and String Quartet


Orchestral

Estrangements (2016) – Chamber Orchestra: 2.2.1.2. 3.2.2.0. 2 Perc. Hp. Strings (min: 5.4.4.2.1, max: 8.6.6.4.3.)


Vocal

Lamento (2025) – Soprano, Viola, and Harp

Passer Solitarius (2024) – Soprano and Clarinet

Response (2022) – Solo Voice

On a Mountain, after Frank O’Hara (2018) – Middle Voice and Pierrot Ensemble

Sappho Fragments, Book I (2017) – Soprano and Trout Quintet

Eternity, after Frank Lima (2017) – Mezzo Soprano and Electronics

Alone, after James Joyce (2017) – Middle Voice and Piano

Two Short Songs and an Intermezzo (2014) – Tenor and Piano


Choral

Chorale on The Little Brown Bulls (2018) – SATB


Electronic/Electroacoustic

hinter (2022) – Solo Double Bass and Fixed Media

air losS (2022) – Improvisor and Electronics

Music for Three Objects (and their electronic replicas) (2018)

madrigal for musicians and laptop (2018)

Deconstruction on La lutte elle-même… Region V (2017) – 3-6 musicians and Electronics

Electronic Piece No. 4 (2017)

Piece for 10 Channels (or Electronic Piece No. 1) (2016)



Essays and Other Writings

Read my published music reviews in the San Francisco Classical Voice

“…memory is not one but many:” Depth and Repetition in Part III of Hans Abrahamsen’s Let Me Tell You (2022) 

Temporalized Space: Groundwork for a Phenomenological Theory of Musical Meter (2021)

Asylum for the Heimatlose: A Critical Inquiry into Gustav Mahler’s Fifth Symphony (2020)

Bergs Arme Leut: Eine Analyse musikalischer Identitäten und Nichtidentitäten in Wozzeck (2020) [Deutsch] 

(Eine andere) Musik als existentielle Erfahrung: Time and Silence in Jürg Frey’s More or Less Normal (2019)

Revolutionary Texts, Revolutionary Textures: Lachenmann’s Scenario (1965) as Manifestation of a Marxist Dialectic (2019)

Adding Another Classmate to the Viennese School: A Brief Examination of the Life and Work of Marianna Martines (2018)

On the Threshold of Perception: Fuzzy Periodicity in the Berceuse of Grisey’s Quatre Chants pour franchir le seuil (2017)