Solo Instrumental
Immeasurable Night (2025) – Chromatic Button Accordion
Berceuse for Guitar (2025)
Five Adages for Violin (2024)
Novelette for Piano (2024)
Piano Sonata – “Chiasm” (2020)
Children’s Pieces for Piano (2020)
..for Soprano Saxophone (2020)
Molto Adagio (2019) – Version for Piano or Organ
Concert Etude for Violin Solo (2019)
Fragment for Solo Violin (2017) – alternative version for Viola
Ephemeral Grace (2015) – Clarinet (Recording: 1 2)
Little Piano Suite (2014)
*solo pieces with electronics are listed under Electronic/Electroacoustic
Chamber
Schism (2024) – Saxophone Quartet (SATB)
Farside (2023) – Clarinet and Saxophone
Diptych (2023) – Saxophone, Electric Guitar, Percussion, Piano
Propagation (2022) – Clarinet and Saxophone
Miniatures for String Quartet (2021)
Andante Scherzoso (2020) – Flute, Clarinet, Violin
Three Distortion Etudes (2019) – Clarinet, Saxophone, Piano, Percussion, Cello
for 4-7 Musicians (2018)
Percussion Quartet (2017)
Three Etudes (2016) – Clarinet, Horn, Viola, and Piano
“La lutte elle-même…” (2016) – Pierrot Ensemble and Percussion
Movement for Piano Quintet (2016)
A Nebulous Embrace (2015) – String Quartet
**chamber music with voice is listed under Vocal
Ensemble
Ouverture – Widerklang (2024) – Oboe, Bassoon, Horn, Percussion, Two Violins, Viola, Cello, Bass
Catechumen (2019) – Flute, Oboe, Clarinet, Bassoon, Trumpet, Trombone, Percussion, Two Violins, Viola, Cello, Bass
Nearside (2018) – Oboe, Clarinet, Bass Clarinet, Alto Saxophone, Tenor Saxophone, Harp, Piano (MIDI)
Neume (2017) – Flute, Clarinet, Saxophone, Trombone, Percussion, Harp, Two Violins, Viola, Cello, Double Bass
Aria in C (2016) – 11 Strings: 3.3.2.2.1
Piece for 10 Basses (from Electronic Piece No.1) (2016)
Empty Rifts of Tranquil Thoughts (2015) – Clarinet, Trombone, Percussion, and String Quartet
Orchestral
Estrangements (2016) – Chamber Orchestra: 2.2.1.2. 3.2.2.0. 2 Perc. Hp. Strings (min: 5.4.4.2.1, max: 8.6.6.4.3.)
Vocal
Lamento (2025) – Soprano, Viola, and Harp
Passer Solitarius (2024) – Soprano and Clarinet
Response (2022) – Solo Voice
On a Mountain, after Frank O’Hara (2018) – Middle Voice and Pierrot Ensemble
Sappho Fragments, Book I (2017) – Soprano and Trout Quintet
Eternity, after Frank Lima (2017) – Mezzo Soprano and Electronics
Alone, after James Joyce (2017) – Middle Voice and Piano
Two Short Songs and an Intermezzo (2014) – Tenor and Piano
Choral
Chorale on The Little Brown Bulls (2018) – SATB
Electronic/Electroacoustic
hinter (2022) – Solo Double Bass and Fixed Media
air losS (2022) – Improvisor and Electronics
Music for Three Objects (and their electronic replicas) (2018)
madrigal for musicians and laptop (2018)
Deconstruction on La lutte elle-même… Region V (2017) – 3-6 musicians and Electronics
Electronic Piece No. 4 (2017)
Piece for 10 Channels (or Electronic Piece No. 1) (2016)
Essays and Other Writings
Read my published music reviews in the San Francisco Classical Voice
“…memory is not one but many:” Depth and Repetition in Part III of Hans Abrahamsen’s Let Me Tell You (2022)
Temporalized Space: Groundwork for a Phenomenological Theory of Musical Meter (2021)
Asylum for the Heimatlose: A Critical Inquiry into Gustav Mahler’s Fifth Symphony (2020)
Bergs Arme Leut: Eine Analyse musikalischer Identitäten und Nichtidentitäten in Wozzeck (2020) [Deutsch]
(Eine andere) Musik als existentielle Erfahrung: Time and Silence in Jürg Frey’s More or Less Normal (2019)
Revolutionary Texts, Revolutionary Textures: Lachenmann’s Scenario (1965) as Manifestation of a Marxist Dialectic (2019)
Adding Another Classmate to the Viennese School: A Brief Examination of the Life and Work of Marianna Martines (2018)
On the Threshold of Perception: Fuzzy Periodicity in the Berceuse of Grisey’s Quatre Chants pour franchir le seuil (2017)